Raoul Ganeev was born on 11 February 1964 in Kazan, Russian SFSR, USSR [now Tatarstan, Russia]. He is an actor, known for The Chronicles of Riddick (2004), 3000 Miles to Graceland (2001) and Stargate SG-1 (1997).
Raoul Marquez is an actor, known for The Best Exotic Marigold Hotel (2011).
Raoul Max Trujillo, aka Raoul Maximiano Trujillo de Chauvelon, was born in Northern New Mexico. He is a mixed blood descendant of Tlaxcalan (Nahuatl), Ute, Apache, Comanche, Pueblo., French, Sephardic Jew and Andalusian Moor. After high school, he spent three years serving in the military in Germany. After his discharge, he worked as an alpine ski instructor in Taos, New Mexico. Ski Flash Magazine out of France wrote about him and his unique style of teaching skiing. He left the world of professional skiing after traveling extensively through Mexico, Central and South America on his way to teach in San Carlos de Bariloche in Argentina. It was a wake up call to exploring native America and beginning his journey in creating art based on his cultural roots.. He started work in the theatre as a scenic painter and landed his first job in 1977 as an actor/dancer in a production of Equus, in Santa Fe, N.M. It was his first paid professional work as well as his debut in the theatre with no training at all albeit high school drama. He now had the bug to study formally. He began dancing in Los Angeles in 1978 at USC and saw his first modern dance and ballet productions; Pilobolus, Martha Graham and Rudolph Nureyev. He was hooked. The next two years, he trained extensively with the Toronto Dance Theatre and Nikolais/Louis Dance Lab in New York City on scholarships. He was asked to join Nikolais Dance Theatre under the direction of the master Alwin Nikolais, who became his mentor and he began touring the world performing in the grandest of opera houses and old Roman theaters in northern Africa to bamboo fields in China. He also learned scenic, costume and lighting design during this time from 1980 to 1987. After leaving the company, he began his solo work as dancer and choreographer and commenced his journey into shamanic ceremonials and incorporating native myths and legends in his work. After the first decade of performing as a dancer, he became the choreographer and co-director for the American Indian dance Theatre, the first professional native dance company incorporating traditional dance with contemporary retelling of myths and legends. He choreographed, "The Shaman's Journey", for the Asia Society in New York City and later was adapted into a short film for PBS on Alive From Off Center. He went on to join creative partners Alejandro Roncerria and Rene Highway in Toronto. This work resulted in creating successful theatre pieces for Native Earth Theatre Company. He directed, "The Son Of Ayash" and "The Jaguar Project". For Buffalo State College and the Repertory Dance Theatre of Utah, he directed,"The Maid of the Mist and the Thunder Beings", and for the Ordway Music Theatre, "Tribe". His work with Alejandro continued and he helped establish the Aboriginal Dance Project at the Banff Center for the Arts to further train Indigenous dancers from all over the world. For New Line Cinema, he choreographed the dances, ceremonies and rituals for Terrence Malick's film, "The New World". Raoul began work as an actor in film and television in 1988 and continues to work up to the present. See resume for those projects. Finally, he created his present company Tzacol productions, Inc. in 1992. It is the umbrella company for Tzacol Tantric Theatre and Tzacol Tribal Theatre made up of dancer, actor and aerial artists, producing original work in the realm of tartaric and tribal spectacle. "Forbidden Goddesses", is the first realized work. Work on "Journey", a multi-media piece for Roots and Rhythms Festival in Santa Fe resulted in the full evening work, "Homo Erectus". These last works are multi-media and inter-disciplinary theatre and film projects. "The Dreamer" is his first completed screenplay. In 2002, he received the CANCOM Ross Charles award in Canada to attend the Banff Center's screenwriters workshop for aboriginal storytellers. The last branch of the company, Tzacol Tantric Arts produces painting and sculptural art. His work now spans more than three decades as an artist in varied disciplines and media. He has gone from dancer to choreographer, actor to director and screenwriter during this time.
Raoul Peck was born on September 9, 1953 in Port-au-Prince, Haiti. He is a director and writer, known for I Am Not Your Negro (2016), Lumumba (2000) and Lumumba: La mort du prophète (1991).
In addition to his feature and TV Movie credits for Sony Pictures and Paramount Televison; Raoul Peter Mongilardi has worked as Production Coordinator for Disney Imagineering and later served as Director of Operations for Peter Rodgers Organization, International Film and Television programming Distributors. He founded OM-RPM Productions, which is currently producing two documentaries as well as developing features, novels and Gaming projects. Raoul is a member of the International Documentary Association.
Raoul Schlechter is known for Doudege Wénkel (2012), Ne te retourne pas (2009) and L'enquête (2014).
Raoul Walsh's 52-year directorial career made him a Hollywood legend. Walsh was also an actor: He appeared in the first version of W. Somerset Maugham's "Rain" renamed Sadie Thompson (1928) opposite Gloria Swanson in the title role. He would have played the Cisco Kid in his own film In Old Arizona (1928) if an errant jackrabbit hadn't cost him his right eye by leaping through the windshield of his automobile. Warner Baxter filled the role and won an Oscar. Before John Ford and Nicholas Ray, it was Raoul Walsh who made the eye-patch almost as synonymous with a Hollywood director as Cecil B. DeMille's jodhpurs. He interned with the best, serving as assistant director and editor on D.W. Griffith's racist masterpiece, The Clansman, better known as The Birth of a Nation (1915), a blockbuster that may have been the highest-grossing film of all time if accurate box office records had been kept before the sound era. He pulled triple duty on that picture, playing John Wilkes Booth, the man who assassinated President Abraham Lincoln at Ford's Theater and ranked as the most notorious American actor of all time until Pee Wee Herman (Paul Reubens). The year before The Clansman, Walsh was second unit director on The Life of General Villa (1914), also playing the Mexican revolutionary Pancho Villa as a young man. Walsh got his start in the business as co-director of another Pancho Villa flick, The Life of General Villa (1914), in 1912. The movie featured footage shot of an actually battle between Villa's forces and Mexican federal troops. In 1915, in addition to helping out the great Griffith, Walsh directed no less than 14 films, including his first feature-length film, The Regeneration (1915), which he also wrote. The movie starred silent cinema superstar Anna Q. Nilsson as a society woman turned social worker who aids the regeneration of a Bowery gang leader. It was a melodrama, but an effective one. In his autobiography, Walsh credited D.W. Griffith with teaching him about the art of filmmaking and about production management techniques. The film is memorable for its shots of New York City, where Walsh had been born 28 years earlier on March 11, 1887. Raoul Walsh would continue to be a top director for 40 years and would not hang up his director's megaphone (if he still had one at that late in the game) until 1964. As a writer, his last script was made in 1970, meaning his career as a whole spanned seven decades and 58 years. He introduced the world to John Wayne in The Big Trail (1930) in 70mm wide-screen in 1930. It would take nine more years and John Ford to make the Duke a star. In one three-year period at Warner Bros., he directed The Roaring Twenties (1939), They Drive by Night (1940), High Sierra (1941), The Strawberry Blonde (1941), Manpower (1941), They Died with Their Boots On (1941), and Gentleman Jim (1942), among other films in that time frame. He helped consolidate the stardom of Humphrey Bogart and Errol Flynn while directing the great James Cagney in one of his more delightful films, The Strawberry Blonde (1941). This was the same director that would elicit Cagney's most searing performance since The Public Enemy (1931) in the crime classic White Heat (1949). Novelist Norman Mailer says that Walsh was dragged off of his death bed to direct the underrated film adaptation of Mailer's The Naked and the Dead (1958). The movie is as masculine and unsentimental as the book, an exceedingly harsh look at the power relations between men at war on the same side that includes the attempted murder of prisoners of war and the "fragging" of officers (Sergeant Croft allows his lieutenant to walk into an ambush). Walsh was at his best when directing men in war or action pictures. Raoul Walsh seemingly recovered from Mailer's phantasmagorical death bed, as he lived another 22 years after The Naked and the Dead (1958). He died on December 31, 1980, in Simi Valley, California, at the age of 93.
Raoul de Bunsen is an actor, known for Gatwick Gangsters (2017), Perfect Piece (2016) and Peaky Bleeders (2019).
Rap Battle Host is known for Gangster Girls (2019).
Rap-Unzel is known for Dantae's Inferno (2021) and The Rap Game (2016).