Claire Dellamar is an actress and producer, known for Mayhem (2017), The Upside of Down (2013) and Solely (2014).
The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as J'ai pas sommeil (1994) and Nenette et Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (2000), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.
Claire Deschamps is an actress, known for Théo et Hugo dans le même bateau (2016).
Claire was born in France. She spent most of her childhood near Toulouse (in the south of France) where her family is still based. She has two sisters and a brother. She moved to London to pursue her dream of musical theater. She had discovered "Les Miserables" by Claude-Michel Schoenberg and Alain Boublil when she was little and dreamed to perform in it one day. She soon discovered that she loved acting as much as singing and started working in plays and films as well as musicals and cabarets. She trained in London at the actors' center but also felt the need to more in depth work on Shakespeare and completed a course at the London Academy of Music and Dramatic Art on the subject. She then went to Los Angeles to gain an understanding of the American way of screen acting. She followed classes at the prestigious Margie Haber studios and Ivana Chubbuck studios over there. Claire fell in love with Los Angeles and now resides there.
Claire Donald is known for Shameless (2011), The Riot Act (2018) and The Best People (2017).
Claire Dore is known for Fall of Lotus: A Star Wars Story (2018) and There's Something in the Barn (2023).
Claire Driver was born in Balham, London, England, UK. Claire is an actor, known for Thirteen Cars (2023), Trendy (2017) and Blue Roses.
Lovely brown-eyed, brunette Claire Du Brey enjoyed a rich, four-decade film career in all. Born Clara Violet Dubrey on August 31, 1892, in Bonner's Ferry Idaho, her family traveled the rugged Sierra Madre terrain by covered wagon in their move to California when she was 13. Educated in a convent setting and once trained to be a nurse, Claire responded to an newspaper ad and found employment working part time in motion pictures. From there, she found herself in front of the camera, making her movie debut as star Billie Burke's friend in the Triangle release Peggy (1916). Universal saw a leading lady vamp in her, however, and from 1917 she enjoyed star billing in such silent short and feature-length vehicles as Princess Dione in the Rex Ingram-directed The Reward of the Faithless (1917); The Fighting Gringo (1917), opposite Harry Carey; Anything Once (1917) and The Winged Mystery (1917) both co-starring Franklyn Farnum; Brace Up (1918) with Herbert Rawlinson; the family drama The Magic Eye (1918); and A Man in the Open (1919) with Dustin Farnum. She also appeared in a number of Lon Chaney's early Universal vehicles such as The Rescue (1917) Pay Me! (1917) and Triumph (1917). A versatile player whether asked to portray royalty, servants, temptresses or prairie flowers, Claire turned to Los Angeles stage plays during an early 1920s lull in film offers and graced such vehicles as "Madame X," "Spring Cleaning" and "The Youngest". Later "jazz age" film roles included The Sea Hawk (1924), Drusilla with a Million (1925) Exquisite Sinner (1926), and The Devil Dancer (1927). During the declining period of her career (1928), Claire met actress Marie Dressler and they became close friends. Claire wound up serving as Dressler's secretary, fan mail handler and travel companion. In reward, Dressler arranged for Claire to get small roles a few of her talking films Politics (1931) and Prosperity (1932). She also served as Dressler's nurse in 1933 when the elder woman was dying of cancer. As a character actress, Claire became much in demand throughout the late 1930s, 1940s and 1950s, appearing in general purpose roles as secretaries, nurses, salesladies, housekeepers, matrons, spinsters, relatives, etc. On a rare occasion she managed to stand out, none more so than in her mad scene as Bertha Rochester in a "B"-level version of Jane Eyre (1934) starring Colin Clive and Virginia Bruce. Seen sporadically on TV into the 1950s, she retired by the end of the decade. Her last film roles were in Girls Town (1959) and The Miracle (1959), both unbilled. An early marriage to a doctor, Mark Gorman, ended in divorce. She lived another four decades after leaving the limelight. In her final years she grew deaf and her health quite fragile, dying at the age of 100 on August 1, 1993.
Claire Duburcq is an actress, known for 1917 (2019), After Blue (Paradis sale) (2021) and Frère et soeur (2022).
Claire Dumas is an actress and assistant director, known for Tout ce qu'il me reste de la révolution (2018), Missions (2017) and Sage homme.