It looks like we don't have any Biography for Al Burton yet.
Al Calderon is an actor, known for Detachment (2011), He's All That (2021) and Person of Interest (2011).
Al Campbell is known for Code 404 (2020), Two Weeks to Live (2020) and Death to 2020 (2020).
Al Cantor is an actor, known for Prince of Pirates (1953) and Breakdown (1952).
Al Cantu is known for Paul (2011), Seraphim Falls (2006) and In the Valley of Elah (2007).
Al Capella is known for Magic in Mount Holly (2021) and The Maltese Holiday (2021).
Infamous Chicago gangster Al Capone was born in the tough Williamsburgh section of Brooklyn, NY, the fourth of nine children of Italian immigrants from Naples. Capone was a born sociopath. In the sixth grade he beat up a teacher and promptly quit school. He picked up his education from the streets, "making his bones" when he joined the notorious James Street gang. This was run by Johnny Torrio, who later graduated Capone into the even more notorious Five Points gang. It was here that Capone became friends with Lucky Luciano, another who would become a hallmark in the '30s gangster era. By his late teens Capone had been hired by Torrio and Frankie Yale as a bouncer at a saloon / brothel in Brooklyn. In 1918 he was involved in a bar fight over a prostitute with hoodlum Frank Galluccio. Gallucio went after Capone with a knife, resulting in Capone's picking up the moniker by which he would be known for the rest of his life--"Scarface" (although that word was NEVER used in his presence). Capone, however, would attribute the scar to wounds he received in battle while fighting with the famous "lost battalion" in France during World War I (the fact that Capone never spent one minute in the army was a minor point, apparently). By 1919 he was already suspected by New York police of at least two murders, so he moved to Chicago to work under Torrio's uncle, "Big" Jim Colosimo, a Chicago gangster who ran a string of brothels. Torrio and Colosimo had a dispute over bootlegging during the Prohibition era--Torrio was for it and Colosimo was against it. Torrio hatched a plot with Capone to have Colosimo "rubbed out" and they got their old pal Frankie Yale to do it. Over the next few years the new Torrio-Capone regime went to war with rival bootlegging gangs in Chicago. In 1924 they killed Charles Dion O'Bannion, head of the Irish North Side gang. That didn't end the war, however, which went on for several more years. Capone's younger brother Frank died in a hail of rival gangsters' bullets in 1924. In February 1925 Torrio, who had been badly wounded in a shootout, decided to retire. He told Capone, "It's all yours". At the tender age of 26, Al Capone found himself in control of a sophisticated crime organization with 1,000 gunmen at his command and a $300,000-a-week payroll. He was up to it, however, and made a smooth transition from a simple gun-toting leg-breaker, pimp and killer to a "business executive" (his business card stated that he sold "second-hand furniture"). It was estimated that at one point he had approximately half of Chicago's police department on his payroll, and his reach extended to the highest levels of Chicago's city government and even into the Illinois legislature (he was also suspected of having the Illinois governor "in his pocket"). He controlled the local political process by terrorizing voters into voting for candidates he picked. So great was his power that he claimed he "owned" Chicago, and once publicly assaulted the mayor of nearby Cicero--who was on his payroll--on the steps of City Hall for doing something without his clearance, while the local police looked the other way. Capone was probably the first "equal-opportunity" mob boss. While many of his fellow Italian and Sicilian gangsters would only hire those from their own ethnic group, Capone hired Jews, Irish, Poles, Slovaks, blacks--as long as he considered them trustworthy, they could work for Capone. He even purged the Chicago organized crime scene of "Mustache Petes", the old-time Sicilian gangsters who he didn't think were capable of running a "modern" crime organization. Capone ran Chicago's gambling, prostitution and bootlegging empire, getting rich giving people what they wanted. He was soon wildly popular among the citizenry and was even cheered at the ballpark, while "respectable" citizens like President Herbert Hoover were not. Capone absorbed smaller gangs into his own--sometimes by negotiation, other times by gunfire--extending his reach to outside the Chicago environs and expanding his empire even further. He was, however, always concerned for his own safety and surrounded himself with trusted bodyguards (including Frank Gallucio, the man responsible for his nickname, "Scarface"). Several attempts were made on his life by rival mobsters--one time a convoy of cars full of gangster Hymie Weiss' gunmen shot up a restaurant at which Capone was dining; the place was destroyed, but Capone came through unscathed. Another time would-be assassins poisoned his soup, but his luck held out again. On Valentine's Day in 1929 Capone ordered the bloody "St. Valentine's Day Massacre". His underlings found out the location of the warehouse of his rival George Moran (aka "Bugs" Moran) and that Moran was to attend a meeting there at a particular time. Capone sent a carload of his gunmen dressed as police officers to the address. Once there they lined up the seven men they found, but Moran wasn't among them; he was on the sidewalk heading towards the building when he saw the "police car" pull up in front and he quickly ducked into a nearby store. Nevertheless, Capone's gunmen machine-gunned them to death. Following the massacre (when Moran was later asked who he thought was responsible for the murders, he replied, "Only Capone kills like that"), public opinion about Capone began to change. He was not above killing on his own, either. When he was informed that his bodyguards John Scalise and Albert Anselmi were part of an assassination plot against him, he decided to take care of the matter himself. To put their minds at ease, he threw a banquet in their honor. While delivering a glowing testimonial to them, Capone suddenly pulled out an Indian club and beat both men to death. Although local and state authorities had been trying to bring down Capone for years, the federal government finally managed to do it by prosecuting him for income-tax evasion. He was tried, found guilty and sentenced to 11 years in the federal penitentiary in Atlanta, GA. In 1934 he was transferred to Alcatraz, a federal prison on Alcatraz Island in the San Francisco Bay that was set up to hold the nation's worst criminals. He never finished out his sentence, though. In 1939 he was paroled because of the ravages of neurosyphilis, a disease he contracted while running Torrio's and Colosimo's whorehouses. He lived the last eight years of his life as a virtual zombie at his estate in Florida, his brain almost totally destroyed by the disease.
Al Carabello was born in Philadelphia, Pennsylvania, to Maria and Albert Carabello. At the age of 15 he got a job working at a video game store in South Philly. While working one day a friend asked him to be in a short film that would change his life. After filming, he realized how much he loved acting and went to study with famed New York acting coach George DiCenzo. After 2 years of training, Carabello would enter an acting competition for the WB Network. He would make it to the final 5 out of thousands of actors. From there he moved to Los Angeles to pursue a career in acting full time. His first credit was on the hit ABC series Grey's Anatomy. In 2015 he would book his first recurring role in another ABC series called Revenge where he played the role of Miguel. In 2019 he made his feature film debut in Adam McKay's Dick Cheney biopic, Vice, opposite Academy Award winner Christian Bale. The following year the film would go on to get nominated for 8 Oscars including Best Picture. Carabello also recently wrapped a number of TV shows including a spin-off pilot for the CW called Jane the Novela.
Never afraid to experiment, Al Carretta is a trailblazing British filmmaker. Never funded and working tirelessly with ingenuity and the resources available, he now has 18 multi-genre indie features behind him since 2010. With a snowball effect and wide releasing on streaming platforms thanks to industry disruptor Filmhub, his films are also starting to make their production budgets back; an impressive achievement for zero marketing spend. With original soundtracks also produced on every film an enviable catalog of original content and intellectual property has been created over the decade that comes in on a total spend of less than £65k. Throw in the development of Nightpiece Film Festival, launched in the 2014 Edinburgh Festival Fringe (now in it's 9th year) and you have the framework behind a passionate and devoted arts producer who constantly creates acting opportunities and stays on the filmmaking pulse. With so many ideas proven and executed Carretta's stage background and acting skill set is often forgotten. In 2010, only after a decade of stage performance built around countless productions in the Edinburgh Festival Fringe was the full transition into filmmaking considered with mafia crime drama 'What You See Is What You Get' , on stage in the 2009 EdFringe as 'The Tears of A Clown', coming together as his first feature. In Autumn 2010 he delivered the 1990s set romantic tragedy 'The Length Of Spring' whilst 2011 saw the production of 'Africa In Her Blood'. Originally produced on stage in Edinburgh in 2008, the film dealt with the concerns of John Smith, a farmer desperately trying to escape a collapsing Zimbabwe. In 2012, a revised version of 'Wysiwyg' was delivered. 'The Devil Made Me Do It' saw Carretta reprise the DiMaggio role in a re-imagination of the original stage script. Moving to Canon DSLRs and higher production values, the film proved to be a marker point and in 2021, nine years after it's original production, an Amazon Prime release and the coincidence of title alignment with 'The Conjuring 3:The Devil Made Me Do It' helped it surpass all expectations by recouping it's meagre £2k production budget and more. In Summer 2013, the film 'Super Tuesday', about the controversial 1960 US Election was produced for simultaneous release on stage in the Edinburgh Fringe and VOD (Video On Demand). Immediately following the 'Tuesday'production 'A Mass For The Dying' was made in Autumn 2013 as a companion piece to 'Africa In Her Blood', sticking much closer to the original stage script. In Spring 2014, after eighteen months in production alongside other projects, Carretta delivered 'Automatically Sunshine', a genre piece set in England dealing with the issues of human trafficking and the pressures of undercover policing. This was his first 'screenplay only' production with no prior stage version. In the same Summer, Carretta launched the Nightpiece Film Festival in the Edinburgh Festival Fringe. He also began work on the feature 'The Madness Of Tellaralette Seville', which debuted under the radar in the Edinburgh Fringe. Concerning the lives of drone operators scarred by PTSD, the project was shelved for three years until filming finally took place between October 2017 and April 2018 with a May 2018 streaming release to become Carretta's 11th feature. With a cast of largely unknown performers, bar a unique cameo from 'Legend' actress Annabelle Lanyon, 'Madness' was his first total experiment in visual style. Continuing to explore previously produced stage material, Carretta turned around the emotional drama 'Tara Reata', on the rebound from 'Madness'. An unofficial screen test to align key female roles for 13th feature 'th'dread rattlin' the entire production was shot and edited in May 2018. Post Fringe, th'dread rattlin', Carretta's third feature of 2018 - took everyone by surprise. The experimental psychological horror, complete with a million in jokes and designed as a framework test to see what might potentially work in a horror, gained massive traction across the internet. The film exceeded all distribution expectations for a sub £1k film. Across 2019, Carretta slowly worked his way back to more traditional filmmaking structure. Delivering the feature short 'Homeless Comforts' in April on a deliberate budget of zero, shooting overlapped with the dark psychological thriller 'Princess in the Castle' and the the crime drama 'Cocaine.Gangster.Talk.' Originally shot as a standalone film, CGT looked to overlap too many thematically similar set-ups so the decision was made to use the best sections of CGT to create a definitive version of 'Automatically Sunshine' and 'Precious Little Things'. With scratch re-edits of all previously filmed material, a full remaster and a chronological order the re-imagined, now epic 3hr film - shot from 2012 onwards - was released online on 31st December 2019 to reflect Carretta's first decade in indie filmmaking. In 2020 - amidst the restrictions of the Covid-19 lockdown, Carretta still managed to deliver 2 more indie features and made a long desired switch into 4K production. 'Set Roaring War' was filmed in late June as UK lockdown eased. Prepped for an August release as part of the Virtual Edinburgh Fringe, SRW is a UK focused drama about a student's unorthodox method to evict her troubled flatmate. By Autumn, with block availability of a venue in sight, the opportunity was seized upon to build a full set and shoot 'The Judge of Harbor County' just days before the UK entered another lockdown. Originally on stage in the 2011 Edinburgh Festival Fringe, 'Judge' was delivered as a March 2021 release and continues to post strong streaming figures on the back of another nominal £2k total spend. Filmed on another purpose designed set in April '21, 'Saint Cecilia of Spiralence' - about a troubled English Nun with premonitions of the JFK assassination in 1963 - was another stage to screen transition. First seen at the Etcetera Theatre, Camden in February 2020, 'Cecilia' was released in November 2021. Overlapping in the Autumn, production began on 19th feature, Working Title: 'Earwigger'. Originally slated for 2020 production, the Covid 19 pandemic collapsed the original film. Close to completion, the film - and it's under wraps release title - should hit streaming services in April 2022. Summer 2021 also saw Carretta debut his carefully planned mafia crime drama 'Eight Hundred Dollar Value' in the Camden & Edinburgh Fringe Festivals. About the troubled son of convicted mafia associate 'Donnie DiMaggio' in monologue format this was the second half of his 2018 stage play 'The Executioner Inside' and is a direct sequel to 'The Devil Made Me Do It' project. Both scripts come together to form the film, which is scheduled for August 2022 release. In recent years, most of Carretta's back catalogue has become available on streaming platforms across the World. With all productions delivered barely breaking the £3k total spend mark, after 18 features, the question continues; what could this filmmaker deliver with an actual budget?
Al Carter is known for Jack Logan (2020) and Give It Up (2004).